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  Pavilion of Arts Applied to Industry including China, Japan and PersiaThe Pavilion of Arts Applied is the first of the largest and most impressive structures that the visitors encountered upon entering the exposition from the Main Entrance at Umberto I Bridge. It was designed by the architects Lorini & Co., and it occupied an ample area on the left bank of the river Po. The Pavilion included several exhibitions. Besides the exhibits of Arts Applied to Industry, the pavilion included China, Japan, and Persia. The main entrance of the building was lavish and echoed the curves and vivacity of the Baroque style. It displayed a large staircase leading to the "pronao" (colonnaded entrance), from which the visitor could access the inner galleries. The facade, crowned by the great dome of the central hall, was grandiose and included several statues by sculptors Ravanelli and Sassi. The dome, which seemed to be inspired by the dome of Saint Peter in Rome, ended on a pinnacle with a Winged Victory, which was 45 meters high from the ground.
Pavilion of HungaryHungary is so modern in aesthetic expression and so jealous of its national traditions. The pavilion is the most striking in the International exhibition: austere in its exterior, beautiful and bizarre inside, this building of noble proportions and harmonious coloring ... is reminiscent of India and Persia ... and inspired by antique Hungarian motifs. (Melani, 289) Named “King’s Attila Tent-Palace,” the Hungarian Pavilion was unanimously considered the “Pearl of the Exposition” and praised for its ability to evoke a sense of motion in a perfectly geometric structure. The designers’ aim was to give visual expression to the power of the Hungarian military tradition, underscore its relevance to the present, and celebrate the strong and determinate nature of the Hungarian nation and its people. Made of wood, the Pavilion of Hungary combined the Romantic vision of the Tent-Palace of ancient king Attila with the Modernist inspiration of its stern cubic blocks. Harmoniously fused in the pavilion, Romantic echoes and Modernist traits are the defining elements of Hungarian functionalism. The building is a mirror of the lively social and cultural situation of the Hungarian nation, and particularly Budapest, during the first decade of the twentieth century. The Pavilion of Hungary was located on the left bank of the river Po, next to the Main entrance on Corso Vittorio Emanuele II and the Orto Botanico (botanical gardens). It was designed by Hungarian architects Emil Tőry, Móric (Maurice) Pogány, and Dénes Györgyi. An eclectic building, combining Art Nouveau elements with the features of National Romanticism, it covered 6000 square meters, and was considered "the pearl of the exposition." Le Eposizioni di Roma e di Torino nel 1911 descritte ed illustrate (volume 4, January 1911, 31) described the building under construction as "una costruzione eminentemente caratteristica, con decorazioni cromatiche in maiolica" (a remarkably characteristic building with colorful maiolica decorations"). The Mostra Forestale Ungherese was located next to the Pavilion. Interpretive Essays
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